For this post, I've decided to document how I usually experience Little Havana's Viernes Culturales (Cultural Fridays) festival.
I've attended more of these monthly street fests than I can remember. In fact, I used to run the festival back in 2006, when I first moved to Miami and served as its Executive Director. In late 2010, I accepted the board's invitation to serve as its Interim Executive Director for four months. Now it's in good hands with Pati Vargas as its Executive Director and retired urban planner Jose Casanova as Chair of its Board.
Last Friday, however, I attended the free festival in no other role than as a local resident out to enjoy myself. The night was perfect: balmy, with the slightest breeze, and no rain. I had just picked up my box of new LittleHavanaGuide postcards and figured I could distribute them that night.
I Arrive at Calle Ocho
After miraculously finding a parking spot in the heart of the tourist district (at @7:30 pm), I stuffed a bunch of the postcards in my purse and stepped onto Calle Ocho near its intersection with 14th Avenue.
As I walked up Calle Ocho, I could see my artisan friends across the street near the McDonald's, including longtime participant George Miranda, who paints used furniture and musical instruments with colorful patterns and designs, and his wife (I'm forgetting her name), who designs and sells jewelry. Such a lovely, warm couple. Few people may realize that George had a successful career in corporate America, and now paints because he enjoys it as his new hobby.
I didn't cross the street until I saw the souvenir shop Little Havana To Go: the perfect spot to drop off some postcards, I figured. I stepped outside and immediately saw my friend Bond Trisransri, owner of 2B Asian Bistro next door. He is unmistakeable with his wild pompadour and close-fitting, fashionable shirts. I greeted him with a kiss on the cheek. "Come in and have a glass of wine later!" he said. 2B has absolutely delicious Thai dishes and sushi ... too bad I hadn't made dinner reservations, like my friends Jose and Aleissa.
I walked into Domino Park, looking for my domino-playing buddy Jorge and his friends, but they weren't there. Inside the park, people were playing dominos, chess and cards; I think I even saw a few tourists playing a game.
In the park I did see Ricardo Leal Sanchez, founder of the Proyecto Multicultural de las Americas. He filled me in on the latest status of his book and art project and reminded me that the jazz group Habana Sax (formed by Cuban musicians now based in Spain) was performing that night at Cueva Blue (at the corner of 14th & Calle Ocho). Ricardo's project celebrates the diverse creative contributions of people across the Americas, from Canada to South America.
Domino Plaza
I gave my regards to Ricardo and then moved on to Domino Plaza, which like the area near McDonald's was also filled with artists and artisans displaying their wares.
As my eyes scanned the tables and tents of the plaza, they suddenly came to rest on Pablo Canton, Little Havana's unofficial Mayor (and head of the Little Havana NET Office). I immediately gave him a hug. He smiled and we chatted, both joking about my famed annoyance at all the Coca-Cola merchandise that had recently shown up in local businesses.
Soon I noticed my friends Jose and Aleissa approaching ... as well as Danny, a local insurance broker who loves to joke around.
Jose, a local developer in Little Havana, wanted to introduce me to an artist friend who'd recently painted a mural on the side of his building on Flagler Street. The artist, Celestino Hernandez, had a tent on the plaza filled with his paintings. I loved his depiction of Calle Ocho, and took a picture of it.
I also took a picture of the whimsical cafetera paintings on wood by Marlene Gasiba. I said hello (or rather, "¡Hola!") to her husband, Rafael, as she was away from her table. My eyes were now drawn to the south side of Calle Ocho, on 15th Avenue, where I saw a stage had been set up. It looked like the show had already started!
Jose and Aleissa left for their dinner at 2B, and I crossed the street. Young people were in the middle of dance routine on the stage. A large crowd had gathered around on all sides, and on the wall behind the dancers, a huge black cloth fluttered in the wind, barely hiding the large mural soon to be unveiled. I stood on the patio of Cubaocho, which faced the front of the stage, and watched the dancers for a moment.
Danny, his friend, Aleissa and Jose |
Within minutes, however, I was distracted by friends, like Lazaro, who told me Cubaocho would be selling paella later in the evening. Sitting at a nearby table I also noticed the Cuban artist Aristide (Aristides Pumariega), whose own new murals adorning the walls outside Cubaocho would also be celebrated that same evening. His textured murals, sculpted with a plaster mixture, also celebrated local arts, but especially music: Son. Boleros. Rumba. Latin Jazz. Even the Beatles!
I ran into local business owner Carolina Ferreiro-Diaz, who introduced me to her boyfriend, and was not surprised to see my dear friend Ruben Abella sitting at a table outside, smoking cigars with friends.
Cigars and Mojitos
"Hey Corinna, you gotta try my new cigar," said the charming and impeccably dressed Ruben, who's retired but who keeps himself busy with his own cigar label, entertainment company and other ventures. Tonight I declined, as I'd just gotten over a chest cold. "But I feel like having a mojito," I said, looking towards Cubaocho's bar, which was handmade by the father of Yeney Farinas Ramos, co-owner and Director of Cubaocho and wife of Roberto Ramos, who serves as its President.
I stepped inside Cubaocho, which seemed to sparkle with music and activity and warmth. At the bar, I greeted my favorite bartenders, Igmar and Livan, and Igmar made me a most decadent mojito with lots of crushed mint, just the way I like it.
Normally, Viernes Culturales is the evening I savor my monthly cigar. Sometimes I'll smoke it in Little Havana Cigar Factory just across the street: a sophisticated lounge with leather seats and a ceiling fan. I always meet interesting people there, like Steve Roitstein of the Afro-Cuban funk band Palo!, which regularly performs in Little Havana. Or, I'll smoke with friends on the patio or in the courtyard of Cubaocho. Ahh, the intriguing conversations I've shared over a cigar and some fine rum! Sometimes I like to walk down the street with my cigar in my mouth, not giving a damn about the looks I get.
Smoking a cigar once in a while is my guilty pleasure, along with my addiction to coffee. I don't condone either: I simply confess.
Dancers
I stepped back onto the Cubaocho patio just after the next dance performance had begun. This time the group consisted of my dance teacher Marisol Blanco and three of my fellow dance students. One of the students performing, Little Havana resident Anjali Sardeshmukh, recently opened up her midwife business just a couple blocks away, in the new Futurama center.
I've taken Afro-Cuban folkloric dance classes with Marisol ever since she started teaching at DAF Studio several years ago. DAF is the second floor studio just behind the makeshift stage; the owner Irela had commissioned the cool, 3-dimensional, psychedelic mural ("Amor el Arte") that was going to be unveiled. I'd seen it for weeks, however, from start to finish, as artist Reynaldo Artires was working on it.
Back to the performance. Dressed in flowing skirts, two of them yellow, two of them white, the four women performed a choreography based on sacred dances of Ochun, the Orisha of the river, prosperity, sensuality, fertility. As they spun around each other, I couldn't help but think of the playful flow of water in a river or stream.
Sensuality took a different form in the next performance: tango. My Russian friend Marianna, whom I met when she was visiting Little Havana, says DAF Studio has the best tango classes in Miami. A tango fanatic, she took classes across Miami-Dade County in order to find her favorite place. Every Friday night, DAF hosts tango classes in its studio, as well as a late night Milonga. Tonight, the performers exhibited elegance and drama, and I noticed how the audience members that surrounded them were appropriately entranced.
Next, the handsome Alain Guerra Aguila took to the stage with his zumba students. I've taken his Monday night zumba classes before and they're amazing. You feel like you're simply having fun in a nightclub but meanwhile you get a phenomenal workout, and everyone around you has smiles on their faces and acts very friendly and supportive. Hmmm ... I think I need to start taking those classes again!
Sadly, I missed the next dance performance, because I was distracted by more conversations with friends as well as impromptu drumming in the street. Two drummers, using what seemed to be the big barrelled drums of Uruguay, were pounding out rhythms while the beautiful Regla Cumbá stood by.
... Stay tuned for Part 2 of my Viernes Culturales adventure, Coming Soon!